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ManNet Review of The Jan Dvorak Story

He's done it again. William Higgins has literally snuck one over on us, this time his most spectacular presentation of the sexual appetites of a single citizen of the Czech Republic. That would be the incredibly beautiful, and thickly-hung Jan Dvorak. This strongly built, tanned hunk of a man was discovered by Higgins a few years ago, and has skimmed in and out of his flicks. He is aloof and somewhat cold in most of his roles, but when he is on the screen, you simply cannot keep your eyes off him -- and you always wonder how anyone can take his cock. Most of them can't.

Higgins has toyed with his fans, however, keeping "The Jan Dvorak Story" under wraps for more than a year while subscribers of his paid website and free newsletter have been panting in expectation of this one -- it was billed as the first time Jan would bottom in a movie produced in Europe. Well, he does, but believe me, guys, no one could possibly have expected what happens in this movie's last scene based on all the advance publicity for this film. As a result, Higgins has placed Dvorak before us as the ultimate sex machine, a kissing, sucking, fucking, and most particularly, bottoming satyr who is in every scene, except one, and thank goodness for that because by then you'll need a breath of air. But, you won't get it unless you come back an hour later, and after that you'll have to call in a local seamstress to sew your dick back on.

The film's premise is to pick up from Higgins' "Prague Buddies 2: Verbotene Leibe," in which Dvorak plays a village priest who is introduced to man-to-man sex by Jirka Kalvoda and his fuck buddy, the exquisite Pavel Korsakov. That movie ended with a three-way in which Dvorak played love object. Here, he begins by packing his bag and leaving the priesthood, handing his bicycle over as he leaves to a villager -- Higgins, in one of his increasingly delightful Hitchcockian appearances. Dvorak hitches on a farm wagon to Prague, where he grabs a newspaper and looks for a job.

The set-up here is that he finds a job as a bellhop in an old, baroque hotel. The joke is that he is forced to wear a white bellhop uniform that looks like a cross between the one worn by the bellhop in the old Phillip Morris cigarette commercials and those Richard Nixon imposed on his White House guards. Maybe three men in the world can get away with wearing this outfit -- and Jan Dvorak is one of them because he fills it so splendidly, especially in the crotch.

One of the hotel guests is a rich film producer, Pavel Dubcek, who has had a rich career in European porn, and who served as the person who deflowered the aforementioned Pavel Korsakov in Higgins' "Andel's Story 2: The Running of the Bulls" (All Worlds), in a stunning scene in a wicker chair on a balcony in Ibiza. Here he calls down for a steak dinner, which is delivered by Dvorak -- and gets Dubcek's mind going, and cock rising. He teases Dvorak by telling him he ought to be in pictures -- jeez, where's Lana Turner when you need her? -- and then cajoles him into sharing his steak. Before long, he makes it clear he's interested in Jan's meat, and what follows will stun anyone who has seen Dvorak and Dubcek before: Nearly half an hour of screen sucking and fucking, with Dvorak serving as bottom throughout. After throwing the lug on the floor and diving into his crotch for some of that thick sausage, Dubcek pounds Dvorak's unbelievably firm, round, huge ass for more than 20 minutes -- first over an table and then over a couch, both doggy-style, before cumming on Jan's feet -- then, following a vigorous 69 session, scissor-style in bed, cumming all over his chest. To top it all, Dvorak finishes Dubcek off in the shower with a quick blowjob. Dvorak starts out hesitant, looks stunned when Dubcek's cock goes in at first, has a painful statement on his face during the first fuck, but then warms up considerably in bed, and polishes off Dubcek's cock in the shower in a very professional style.

Emboldened by his newfound sexual identity, Dvorak wanders into the hotel's kitchen where the Bartok twins (from Higgins' "Double Czech," All Worlds) are feeding the fire. These two boys have certainly grown into less rustic types after a few visits to Prague -- Karol and Jirka Bartok have their eyes on Jan, and he pours a couple of double whiskies before seducing the twins. This is a silly scene in many respects -- the contortions the trio has to go through to suck, fuck and be fucked in the cramped, beamed galley are somewhat hilarious, but there is an underlying sensuousness which comes through in the rubbing, licking, and preening which leads one to believe the three of them were having a royal time. The twins double-suck Jan before he rims and sucks them, then puts them through their fucking session, both missionary-style on a bench, one twin taking that enormous pole while the other comforts him. Indeed, this is such a realistic scene that you will be stunned by the editing -- Higgins lets you experience the pain of each twin as Jan first penetrates, and then lets you enjoy their gradual pleasure as they serve as Jan's pole sifters. (Good soundtrack in this movie -- every scene is done just right). All three cum in copious spurts before they start all over again, grunts and all. This time one twin mounts the other doggy-style over a bench (no penetration), while Jan fucks each one in turn, ending in a splendid three-way splooge session.

Now we see a bike messenger approaching the hotel, greeting Jan with a package for him to sign. The messenger is named Bebe, that's all, Bebe, who appeared in one other flick along the way in Europe ("Cock Gun," Clair Productions), but here is making his Higgins debut. Good thing -- he lights up the screen and virtually takes Jan's breath away in a scene which is clearly set up to bring out the more aggressive side of Dvorak. Let me tell you, even if the guy was still thinking of remaining a priest, Bebe is the kind of tart who would completely bring him over to the other side. Compact, shorthaired, chiseled, devilish gleam in his eyes, he sports a set of abs that Dvorak would love to have, and simply one of the tightest bubble butts in Europe. He needs Jan's signature, one thing leads to another, and they are off to suck and fuck. There is real chemistry here, and this scene represents the first time in a European made flick in which Dvorak appears to be taking the lead, and enjoying himself to boot. That's how hot this little fucker Bebe is! Though he remains top throughout, doggy-style over a couch, missionary- and scissor-style in a bed (and also literally hanging from the rafters) Dvorak is having a ball -- and Bebe is in absolute pleasure throughout. He excels in everything -- and gives Jan a hot rimjob that qualifies as one of the best Higgins has filmed in his Czech days. The scene serves to introduce us to a potential new star in Higgins' gallery, and to set us up for what is yet to come in the on-screen sexual evolution of Jan Dvorak.

First, however, he goes out for a few beers with his pal Jirka Kalvoda and his boyfriend (or, we suppose so) Pavel Korsakov. The barmaid -- a lusty blond bimbo -- is making eyes at all three, but Jirka, who is in his army fatigues, begs off to go back to the base. Or, so he says. What he really does is stop off at a local blacksmith's forge, where the lusty, blond, hairy and fully packed Joachem von Festung is hammering away alongside the hearth. This man's man has an ass that belongs in a leather-bar hall of fame, and a face that would make the toughest Marine sergeant fall in lust. This is one of those typical Higgins romantic scenes in a dungeon setting: Jirka seduces Joachem, who clearly has no fucking clue what he is about to get into (confirmed by Higgins' screen notes on his website). And by the time they've finished giving mutual blowjobs, it is also (painfully) clear that Joachem is being fucked for the first time. The expressions of surprise, pain, and then serious pleasure as he takes Jirka four different ways (over and beside an anvil in each position), are delightfully edited. Jirka fucks him doggy-style and cums on Joachem's feet (what, again?); then pumps him and cums on his back; then Joachem sits on Jirka's tool and pumps himself into a stream of unconscious cream. Two money-shots from each and they are covered in sweat, and you will be, too.

(Go take a shower, because the best is yet to come.)

Back at the saloon, Pavel and Jan are a few beers into it, and the barmaid is cruising each of them. They tease each other with words of encouragement, until Jan says that he thinks the maid is in love with Pavel; "Not tonight," Pavel says, and the next thing you know the two of them are in bed, reading a magazine. Before long, they are side by side in an somewhat mischievous parody of an old 1940s B-movie, with Jan smoking a Marlboro, and Pavel looking on adoringly -- until he removes the cigarette from Jan's mouth, and the scene fades into two naked bodies kneeling on the bed, kissing and fondling.

What follows is something no one who knows this series, or Higgins' Web adventures, would ever expect. While one would hope Pavel would adore Jan, suck and lick, which he does, one would not expect a vigorous reciprocal from Jan. Yet, when it comes to returning the oral favors, Jan is quite adept and almost loving. Though Pavel does more cock adoration, you also expect that (especially given the size of Jan's pecker). After all, Pavel began his career as a bottom boy, and with a few exceptions has done most of the sucking, and bottoming. Here, however, he is the aggressor: He throws Jan's legs up, and eases his straight, perfect cock right into Jan's hot hole -- the look of surprise on Dvorak's face is priceless, and the resulting missionary-fuck is vigorous and filled with passion. Soon Jan is sitting on Pavel's cock, his monster pole waving as he pumps up and down on the smaller man's rod -- until they both cum in explosive spurts. Pavel flips Jan over and plunges once more into that splendid sphincter with even more vigor until he cums (are you ready?) on the sole of Jan's foot. They finally lay side by side for another Dvorak explosion, fading to a sweet ending tableau.

What more could anyone want? Some of the handsomest masculine men in Europe come together for some very vigorous sex. Two of the most beautiful, and somewhat vain, wind up in bed together, and the one who you'd never expect to take it up the ass winds up getting fucked at both ends of the flick. The irony, of course, is that Pavel Dubcek deflowered Pavel Korsakov in the latter's screen debut, and was also the instrument of Jan Dvorak's first on-screen European fucking. I'd like to interview his cock sometime. Meanwhile, I will be content just watching that last scene over and over again -- it's a classic, in a movie that will be remembered for a long, long time as among Higgins' biggest surprises, on either side of the Atlantic.

A Video Review by Bo Champion [http://www.ManNet.com ]